![]() ![]() If there is to be a long connection, it should be on the balanced side as that is quite more robust against noise. ![]() Beyond that all you do is set the threshold. Whats nice here is you get to shape the tail of your envelope by choosing how long you want to allow your notes to decay. ![]() Those "loops" are minimal compared to half the room and its wiring (which is what you apparently currently deal with).Ī proper stereo DI box usually has two 6.3mm TS inputs on the unbalanced side and XLR outputs on the balanced side: you'd use that with the usual adapters/cables, it adds quite more bulk, and the quality is inherently better (due to the symmetric connections) as well as usually done with higher quality components (higher level tolerance, lower distortion, better low frequency transmission). First youll note the Mode knob that gives you the option of a full mute when your signal dips below the threshold or a volume reduction to simply quieten the noise and hiss. I setup latency 128 and 44.1 khz to sample rate. When I am recording with my onboard sound card(16-bit 96khz), it sounds better then Audiobox iOne. I am getting too much noise and hum while recording with iOne. This will not give you the common mode rejection of a proper balanced connection, but your separated "ground loops" will then be the two-fold ground connection from adapter to mixer, and from adapter to laptop. Noise is huge problem to me because I am recording heavy distorted guitars. As opposed to a proper DI box, they have unbalanced connections on either side. There are simple audio ground loop isolation adapters that are, in principle, nothing other than a simplistic DI box. ![]()
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